Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

!: Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

This is the first in a series of profiles of photographers from various parts of the imaging spectrum. In the future we will shine the light on news photographers, commercial photographers, nature photographers and so on in order to give you the digital photographer some valuable insights to help make your images better.

Geraldine Allen is our first subject artist in the spot light. Initially trained in art history and graphic design in the UK; Geraldine gained valuable experience in aesthetics and design principles. Later in life she undertook study of Psychology and graduated with a Bachelor of Science Honors degree. However, Geraldine's long time interest and passion for photography drew her back. Enthused by the possibilities brought about by Adobe Photoshop in its early days of development, she was soon absorbed by experimenting with digitized photographic collages. It was then she decided to return to Salisbury College in the UK to formalize her experience and update her knowledge of the visual media industry.

Geraldine studied Creative Digital Arts to familiarize herself with industry standard multimedia software, and wishing to focus on still imaging, then chose to complete her BA (Honors) in PhotoMedia (Photography). Whilst computer manipulation was becoming increasingly popular, she chose to experiment [and now favors] "in camera" effects.

When did your "aha" moment arrive; the time when you knew that your affinity for photography could take you further regarding your creative and professional career? "I took a candid shot of my teenage son one day when I just happened to be at an elevated height; the combination of height, the long lens, and the way I had composed his posture in the frame brought an interesting result and I thought then that there are so many variables and I would never get bored if I did this for a living. I had always enjoyed photography but I didn't really learn much until digital came along. All of a sudden I learned so fast because the results were instant and I could relate which mistakes were associated with which controls."

Do you prefer total control over your photographic subjects or do you sometimes shoot natural non-studio images? "I don't have a preference. I am so passionate about photography and there are so many different aspects that I find it impossible to hold favoritism. I have to separate photography into genres and I take a different approach according to that genre. For example, creative photos are pre-conceived in the mind of the photographer/artist, so it does require the subject to be set up and controlled - to a degree. Although studio controlled images dominate my light painted portfolio, I often leave people as subjects to position themselves. The picture aims to portray a little essence of their natural character. I do help them with ideas if they are stuck though, usually by distracting them with conversation and saying "hold it there" when I think a particular posture, expression or mannerism would work well for the picture.

For nature pictures I rarely control anything except perhaps using a little fill flash or a reflector in conjunction with the available light. I make a conscious effort not to interfere with a natural scene as I wish to document it as real and naturally as possible. Having said that I must confess I can't help moving obtrusive litter, sticks or stones from the frame."

Have you ever had a mentor who had an impact on your style and art? "I received an awful lot of support from a wonderful tutor called Ian Smith at Salisbury College in the UK. Whilst I was given endless encouragement to experiment in whichever way I liked, I was also taught to question everything and to give that experimentation some decisive direction. I was to ask myself what my pictures were trying to communicate, and to plan them with specific intention and aims. In the final year at Salisbury College I reached the dreaded stage where I was forced to choose one field of specialization. God forbid, how was I to make a single choice when I loved all and sundry from traditional to completely abstract and contemporary? I remember actually struggling to hold back tears when it came to the point of my having to drop some genres. I was a cop-out really because I chose to stick with two fields instead of one; fine art and nature, and then I used a unifying concept to put them both in my final portfolio!

I was also privileged enough to work with landscape photographer Charlie Waite in his studio for some months. Although practicalities of work and business dominated our concerns, I observed his attitudes toward his projects and indeed within his natural day-to-day practicalities. If I had to choose one primary point that I will always remember, it would be how he would look at the sky and all around whenever he stepped outdoors. He would immediately and instinctively study the light and how it fell upon subjects in his immediate surroundings, no matter where he was or what he was doing. You could say he was obsessed with light! So, he taught me the most valuable lesson of all; to study the natural laws of light, how it naturally affected the world around and how different it looked according to the various conditions."

Your best advice for budding digital photographers? "Experiment, and then experiment some more! Make full use of manual controls instead of sticking with the safe Auto mode. Don't just refer to the manual when you are stuck on how to operate a basic control, but read it all from front to back and then test out each and every advanced control. That way you get to know your camera thoroughly, and you may happen upon some interesting effects. Try different levels of fill flash, use the white balance, and test the effects of speed/aperture on depth of field. Oh, and look at possible uses for any mistakes! I have been known to use prior unintentional mistakes, as deliberate controlled effects at a later date."

What kind of digital camera gear do you favor? "Predominantly, I am a digital SLR user of the Canon variety. I just like the look, the feel and the performance of Canon. A Canon feels right in my hand so what more can I say?

Currently I am shooting with a Canon D60, which I was very happy to own when they were first released. Unfortunately 6 months down the line the 10D was released with a substantial drop in price to boot. Now of course there is the 20D too! Such are the agonies of being a die-hard techie fiend. I use only fixed focal length lenses, having found the 'ever-practical' zoom to let me down with zoom creep on long exposures."

Currently Geraldine is using four lenses: a 15mm f/2.8 fisheye, a 35mm f/2, a 100m f/2.8 Macro, and a 200mm f/2.8 L - all Canon EF. Of course using these lenses on a DSLR mean the focal length is longer than using on a film SLR due to the size of the sensor, which is why the fisheye is not truly 'fisheye' but just very wide, and the 35mm is used as the standard workhorse lens - the equivalent of a 50mm. Shooting an awful lot of nature pictures, her 100mm macro lens has proved a wise investment, allowing her to gain that extra close distance both for macro work and longer distance shots.

Geraldine says "I have never had much desire to shoot very long distance. I tried a 300mm 'L' glass once, but sold it within a fortnight. The thing was a monster, and at f5.6 widest aperture, it was just not fast enough coupled with the focal length and weight of the thing. I simply could not achieve sharp enough pictures. Rather than bring faraway subjects close to me, I prefer bringing tiny things into my visual plane, so that I can study each tiny little detail. I therefore have a natural affinity for Macro photography and Photomicrography. I use an IMXZ Microscope with a zoom factor from x10 - x40 for real tiny subjects, or when I want to reveal what the eye cannot normally see, but with an aperture of f0, I am inevitably dissatisfied with the lack of sharpness throughout. Quite often I will just use the 'sweet spot' area and crop down afterward. I also have a bellows for an FD lens but I rarely achieve a satisfactory result owing to the lack of mobility and adaptability. I would really enjoy the more mobile MP-E65 but unfortunately it's not within the budget at the present time.

I missed the medium format experience altogether, but what a great discovery it was to find out I could afford a large format system! I ended up with a 4x5 Toyo View camera with a monorail extension, dark cloth, lots of double dark slides, an Schneider Symmar-S 150mm f5.6, and two boxes of Fuji Provia RDP II, all for £400!!! The film and processing costs have been adding up since, and the results still look plainly 'LF novice'. "

The only other shooting equipment I have are two strobes, a 1000 watt halogen lamp, a Canon Speedlite 550EX, softbox, reflectors and stands. These are not used very often, but are on standby for the odd studio request. Generally though I prefer natural light and natural settings.

Post shoot editing of course requires a digital darkroom. I use a fast processor Dell PC with tons of RAM, a Mac Powerbook G4, an Olympus Camedia Dye Sub printer, a Canon S9000 inkjet, and an Epson Perfection 4870 scanner for my 4x5 film. Let's also not forget that king of king piece of software - Adobe Photoshop. I just upgraded to CS and I'm not disappointed. ooops... I forgot to mention my trusty set of three halogen torches for light painting.... nothing special or expensive, just normal household torches of various strength." Says Ms Allen.

Geraldine has always been intrigued by the magical, unique and otherworldly qualities found in the work of photographers like Robert Damachy, Julia Margaret Cameron, Diane Arbus, and Sarah Moon. Specific influences on her photographic development with her light painting have been Berthold Steinhilber, Jorg Grundler, and Diana Thorneycroft.

If you visit her site you will see some of the wonderful macro photography Geraldine captures. Many of those are floral based subject matter. She says "for floral macros, I like to use extremely limited depth of field. This means I inevitably make use of a longer focal length [100mm], the closest shooting distance possible and a wide aperture [often f2]. This usually means the shutter speed is quite fast because there is plenty of light entering the lens. But, that does not mean I do not need a tripod in a natural setting. Often I like to have only the tiniest element in focus, which means handheld shooting is a definite no-no, as the plane of focus can slip at the slightest movement [in the camera or subject]. If the element to be focused on is flat, then generally it is easier to achieve sharpness where I want it. However if it is curved or rounded I try to make sure the camera is positioned at such an angle as to allow the element to be parallel with the back of the camera so that as much of the element as possible is on the same plane as the sensor or film back."

You can see the portfolio of her fine art photography at her web site: www.photo-art-gallery.com

Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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How the Lomography DigitaLIZA works

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No more squeezing 35mm film into standard frames! Slam the DigitaLIZA into your photo scanner and scan any special picture format including the sprocket holes in its full-length, unabridged beauty. The Future is Analogue! Visit us at www.lomography.com and our Shop at http DigitaLIZA Microsite - microsites.lomography.com Buy it! shop.lomography.com The Future is Analogue! Check out Lomography's website at www.lomography.com and the Online Shop at http Want to know the latest updates? Be a fan of our Facebook page by clicking on "like" - www.facebook.com and Follow us on Twitter - twitter.com

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Scanner HP G2710

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A única vantagem de ser ter um scanner de mesa hoje em dia é se ele fizer algo diferente, como o G2710, que consegeu digitalizar negativos e slides em 35mm.

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Epson Perfection V500 Photo Scanner Review

!: Epson Perfection V500 Photo Scanner Review

Good quality scanners are harder to come by nowadays. Many users seem to have forgotten the art of scanning too, thanks to advances in digital photography. Not one to give up on this area, I wanted to bring you this review of Epson's Perfection V500 Photo Scanner. Check out more great reviews on my YouTube Channel: www.youtube.com or the main website www.geekanoids.co.uk

Epson Perfection V500 Photo Scanner Review

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DIY blur "scanner"

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Restoring a Memory - 1972 Dallas Cowboys

!: Restoring a Memory - 1972 Dallas Cowboys

The Dallas Cowboys won their first Super Bowl in 1972. Coming off a disappointing loss the previous year to the Baltimore Colts in Super Bowl V, they had something to prove.

The Cowboys dominated the entire game on both sides of the ball. Setting the tone early was a first quarter sack of Miami Dolphins QB Bob Griese. Not just your ordinary sack however, Bob Lilly chased down the scrambling QB and finally took him down for a record 29 yard loss.

This play was captured on film and later produced what is now a very hard-to-find collectible. The Chiquita Produce Company, new to the NFL as far as merchandise goes, produced a set of two-sided slides in 1972. The set is comprised of 13 slides and featured color action shots of 26 NFL players, one from each team. The yellow viewer and a set of slides could be obtained by sending 35-cents along with five team logo stickers from Chiquita bananas, and a receipt showing worth of produce purchases.

Chiquita only produced two types of collectibles for the NFL. The 1970 Team Logo Stickers, and the 1972 NFL Slides. The team logo stickers were labels found on bananas at your local produce store. There was one sticker for each of the 26 teams in the NFL. A complete booklet was available for 25-cents by mail-in offer. A rather difficult item to find these days in the world of collectibles, the complete set can be valued as high as 0, and individual stickers average between and .

The NFL Slides contained statistical and biographical information of the featured players. The complete set of slides is valued at 0 while the individual slides vary greatly due to the players featured. Here is a complete checklist for the 1972 NFL Slides (listed in pairs); 1 Joe Green & 2 Bob Lilly, 3 Bill Bergey & 4 Gary Collins, 5 Walt Sweeney & 6 Bubba Smith, 7 Larry Wilson & 8 Fred Carr, 9 Mac Percival & 10 John Brodie, 11 Lem Barney & 12 Ron Yary, 13 Curt Knight & 14 Alvin Haymond, 15 Floyd Little & 16 Gerry Philbin, 17 Jim Mitchell & 18 Paul Costa, 19 Jake Kupp & 20 Ben Hawkins, 21 Johnny Robinson & 22 George Webster, 23 Mercury Morris & 24 Willie Brown, 25 Ron Johnson & 26 Jon Morris.

As rare as the slides are, I would imagine the viewers are even harder to come by. That being the case, and the interest in displaying a key piece to my collection, I set out to get a clear image from the slide. The slides are very small (1/2" x 7/16") compared to a typical 35mm slide, adding to the difficulty of my project. Using my scanner and a home-made device called a backlight box, I made my first scan. Scanning at 1200dpi and with several adjustments to brightness and contrast I was able to get a decent image to start with. Scanning with that high of a resolution was necessary to capture the tiny photo, but it also captured all the defects the slide accumulated over the years. Now all that was needed was a little touch-up here and there and my job was done.

Restoring a Memory - 1972 Dallas Cowboys

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SVP Digital Film & Slide Scanner

!: SVP Digital Film & Slide Scanner

Click here for more details: www.amazon.com SVP Digital Film & Slide Scanner SVP FS-1800 Digital Film Scanner is a innovative standalone film scanner that instantly converts 35mm film negatives and slides into digital images without the need for a computer or application software.

SVP Digital Film & Slide Scanner

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Used to scan one to two strips of 35-mm film containing a maximum of six frames each

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LeeDigitalScanning

!: LeeDigitalScanning

Lee Digital Scanning is a semi-custom scanning shop providing a one stop shopping for top quality digital image scanning of any still images to high quality digital images. Our services include scanning both B&W and color film and prints. We scan 35mm slides (to include any slides in 2x2 mounts), 120/220 film, 4x5 film as well as stereo slides to high quality digital images. We offer competitive pricing with various levels of service and value. We provide volume discounts that provide additional savings. Not sure about what you want, or the service we provide - then use one of our "Samplers" for slides or negatives. This will provide you an easy way to preview or test our work before sending your complete order to us. Don't let your photos (slides, negative or prints) sit in storage and fade or mold with time. Preserve your photos safely to share with your family and friends. Make copies of your favorite slides or color negatives for special occasions or gifts. Convert your slides to digital images by digitally scanning to preserve your old slides (and/or photographs). We use the finest Nikon and Epson film scanning hardware on the market to copy your photographs to DVD or CD. Slide conversions to digital images allow you to later copy and share digital images with friends and family. Scanning slides to digital with our Nikon and Epson equipments helps bring life back to old faded slides by bringing out the colors and eliminating most scratches that we find on old slides ...

LeeDigitalScanning

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VuPoint 35mm Film Scanner - Is This Scanner Right For You?

!: VuPoint 35mm Film Scanner - Is This Scanner Right For You?

Do you have trays and trays or boxes and boxes of old 35mm negatives and slides sitting around your house that you want to convert to digital easily and inexpensively? Up until recently, you had to have a conversion service do this for you or invest in very expensive equipment. However these days there are some inexpensive scanners, such as the VuPoint FS-C1-VP 35mm Film Scanner, that can convert your images to digital format without you having to pay an arm and a leg for it. But what's the catch you may ask.

The main drawback to inexpensive film scanners is the image quality. This VuPoint 35mm film scanner produces 5.0 mega pixel quality. At times the images may seem to blurry or grain, or lose detail from the original. These can often times be cleaned up using photo editing software such as Photoshop. However, you really need to think about how important quality is when it comes to choosing a film scanner.

On the other hand, the VuPoint FS-C1-VP retails at , making this a very economical choice. It also converts an image in about 5 seconds. So if you have stacks and stacks of slides or negatives to get through, this is very convenient. It is mostly a trade off between price and quality.

Another thing to note is that this film scanner uses a USB interface with your computer. You need to have a Windows XP or Windows Vista operating system. It is not compatible with a Mac. So in order to use this film scanner you will need to have the right type of computer and operating system.

VuPoint 35mm Film Scanner - Is This Scanner Right For You?

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Ion Audio Photo, Slide, and Film Scanner (PICS2SD)

• Standalone picture scanner does not require a computer
• Large 3.2-inch color screen for viewing your pictures
• Works with 35mm negatives, 35mm slides, and 3x5, 4x6, and 5x7-inch pictures
• High-resolution 5.1 MP scanner with up to 2500 DPI
• Works with virtually any computer for optional transfer

More Specification..!!

Ion Audio Photo, Slide, and Film Scanner (PICS2SD)

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Photo Slide Scanner - Tips to Buy a 35mm Negative Scanner

!: Photo Slide Scanner - Tips to Buy a 35mm Negative Scanner

Shopping for a photo slide scanner? If you are searching for a scanner and you don't know which one to buy, then keep reading to get some informative tips. I'll discuss scanner pricing, quality and where to locate a great scanner.
 
You may be someone wanting to move your old 35mm slides to your computer or a student needing to finish a project. Whatever your situation scanners can produce super results. They are useful devices for any lover of photography or art student.
 
How do you decide on a good slide scanner? The only reason you would own a slide scanner is to scan 35mm slides. This implies that resolution and clarity is an important issue to keep in mind when choosing a scanner. Choosing a high quality machine can give you more depth, detail and clarity in your scanned images.
 
Regarding the price, you normally get what you pay for. You can get one for 0, but you can also get one for ,000. Studios and art schools tend to use the more expensive scanner equipment. So, based on the purpose you have in mind, a cheaper device may be the right choice for you.
 
You can get a slide scanner from many places, but most people choose to get them from the Internet. The best place to find great technology bargains is on the internet. Do a Google search, there a few good sites that offer reviews and discount prices.
 
In conclusion, I've given you a few good photo slide scanner tips to keep in mind. You just have to take into account your budget, and the quality you need in your slides. You'll soon enjoy viewing your scanned images made from your 35mm archives.

Photo Slide Scanner - Tips to Buy a 35mm Negative Scanner

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ISO 12222:2000, Cinematography -- Manufacturer-printed, latent image identification on 16 mm, 35 mm and 65 mm motion-picture film -- Specifications and dimensions

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This International Standard specifies the position and dimensions of machine-readable identification numbers on 16 mm, 35 mm and 65 mm motion-picture film. These numbers are intended to be a machine-readable version of the latent image key number. This International Standard also specifies the encoding format to be used for these machine-readable numbers, as well as the area scanned and the spectral characteristics of the scanner.This International Standard also specifies the position, dimensions and content of human-readable identification (key) numbers for use on 16 mm, 35 mm and 65 mm motion-picture films intended for original photography or intermediate printing which also include the machine-readable key number described in 1.1.This International Standard further specifies an area that may be used for optional manufacturer-specific film-type identification information.This International Standard also specifies an area on the film which is not to be exposed by the film manufacturer, thus leaving it available for customer data recording.Finally, this International Standard specifies an optional frame line index mark for 35 mm and 65 mm film.

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New ION 35mm Film and Slide Scanner negatives and slides to an SD card Preview High-resolution

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Fast, one-touch scanning takes just one to two seconds.Optional USB connection for Mac and PC.Portable design with ultra-small footprint.Auto-exposure and color balance.Mirror, flip, and rotate controls.Scans color and black & white slides and film negatives.Works with all SD and micro SD cards, SDHC cards up to 8GB.Includes 1GB SD card, negative holder, slide holder, USB cable, power adaptor and cleaning brushIONFILM2SD.

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The proof of existence: Behind the Scenes: Video 2

The proof of existence: Behind the Scenes: Video 2 Video Clips. Duration : 1.83 Mins.

Behind the scenes of the film Evidence of different series in Greenwich, England, showing here some of the last scenes of the film. For more information about the movie here: www.frois.net production from the 'Director at Large, "written and directed by Adam El-Sharawy Guest Director Jenny Clark Cameraman & Guest Writer Alex Frois Released: early 2011

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Josh Thoemke photo essay

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This was a photo essay on adolescence. It 's been shot on 35mm film developed and reach. We apologize for the scratch, it was a bad scanner.

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35mm Digital Film Converter - Slide and Negative Scanner

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Nice Design by :Over All Rating Reviews : Great Deal : $47.99Date Created :Mar 31, 2011 17:56:32

Convert Your Slides And Negatives To Digital Pictures!
Preserve and protect cherished memories in seconds by converting your 35mm negatives and slides into digital images on your computer. Place slides or negatives in the included tray and position in scanner. With a touch of a button you have a digital image you can save, edit and enjoy.

Scanner plugs into your computer's USB port for both power and photo transfer. It has a 5MP CMOS sensor that provides clear, bright digital images with amazing quality. You can adjust the brightness, contrast, hue, sharpness and more. The included software also lets you crop and resize your slides as well as convert your negatives into positives.

PC system requirements: Windows XP or Vista and a USB port. Approximately 3.75" x 3.5" x 6".

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Wolverine F2D 35mm film & slide scanner

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The choice of a 35 mm slide scanner

Many of you certainly want to keep the old and beautiful memories captured on film. At least if you have printed and digital copies of these unforgettable moments, you can check every now and share with your children and grandchildren later than with them the story behind the images.

If you are happy with the film and slides, it would be very useful for having your own dedicated film Scanner 35 mm. But that takes you to the next question is "WhatBrand should I buy? "

35mm Film Scanner

Different brands, types and models of film Scanner on the market today. There are basically two types - the Scanner, multi-purpose flat-bed Scanner dedicated for slides and 35 mm. The unit of flat-bed houses not only the slides and films, but also photographs and documents. During a special slide scanner is designed for slides and films.

The choice of a 35 mm slide scanner

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Nice Design by :Over All Rating Reviews : Great Deal : $47.99Date Created :Mar 18, 2011 08:32:26

Convert Your Slides And Negatives To Digital Pictures!
Preserve and protect cherished memories in seconds by converting your 35mm negatives and slides into digital images on your computer. Place slides or negatives in the included tray and position in scanner. With a touch of a button you have a digital image you can save, edit and enjoy.

Scanner plugs into your computer's USB port for both power and photo transfer. It has a 5MP CMOS sensor that provides clear, bright digital images with amazing quality. You can adjust the brightness, contrast, hue, sharpness and more. The included software also lets you crop and resize your slides as well as convert your negatives into positives.

PC system requirements: Windows XP or Vista and a USB port. Approximately 3.75" x 3.5" x 6".

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You can choose the brands, including Polaroid, Epson, Nikon, HP, Kodak, Microtek, Minolta, Olympus and Leaf. Various models areavailable with prices starting in the mid-range high-end, depending on your needs. Will not help you factor in one aspect, such as price or brand. Remember not to sacrifice quality on price, because it is a good way to get the perfect product for you.

An important factor in choosing a 35 mm film scanner is your goal. If you are a photographer who wants to regularly take pictures of family celebrations and major events for your children, then amid-range model is right for you. But if you're in the printing and publishing industries, which have large amounts of film and slides, then the investment in a high-end scanner is scanning the right choice.
Choose the scanners that are capable of high-resolution images. Highest resolution, image quality not to consider this aspect for granted.

After deciding on the make and model, you must check whether the software is included. This software has all theControls for the activities from fishing to conservation in order to achieve the transformation. You must install it on your Computer before you can use the dedicated scanner.

Here are some descriptions of the major brands of scanners for slides. Find out what's right for you and look around the Internet before deciding what to buy and where.

Nikon Coolscan has received a number of models (2000, 4000, 5000), the good reviews. The super cool scan model is highly recommended becauseits high optical density.

Minolta Dimage Scan Dual gives his professional resolution. It is crisp, sharp colors and shadow. There is also the Konica Minolta QuickScan scanner that a dedicated film and slide.

Hewlett Packard Scanjet his bunk, all in one scanner. It scans not only film and slides, but also documented.

Epson and Microtek also manufacture flat-bed scanner in various designs, sizes and prices.

Remember that the most importantAdvantage of a separate scanner is its low weight and compact size and light. The flat bed type is larger and has more weight. So be sure to consider these things as well.

The choice of a 35 mm slide scanner2 / 2 # 33 Ask Retoucher - Print from slides Tube. Duration : 3.88 Mins.

Eric Basir of Photo Grafix answered the question: I have a set of 35 mm slides, which I would like to print. Can I have an HP PSC 2355 All-in-One Printer to do it? If it is a cheap way to do it?

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All 35mm film scanner

Those with an interest in photography, or those whose job involves editing images may already be familiar with 35 mm film Scanner. film Scanners are typically devices that are used to scan photographic film used directly on a Computer without the need for any other type of device.

The good thing about using this type of device is that it goes to print, scan and edit photos much easier. This is based on the fact that the images can be transmitted directlyfrom the movie on your Computer.

35mm Film Scanner

The advantages of 35mm film Scanner

All 35mm film scanner

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Canon CanoScan 9000F Color Image PERP9600X9600DPI 48BIT USB

• PEC-PAD Lint Free Wipes 4"x4" 100per/Pkg
• Photographic Emulsion Cleaner 4 oz spray
• Loupe 10x Close-up Viewing Loupe for Photographic Contact Sheets & Negatives
• Printfile 35MM Negatives 7 Strips 5 Frames Sheets 100-pack - Printfile 357B100
• Archival Methods White Cotton Gloves Large, Package of 12

If you buy a 35mm film Scanner, for example, there are a lot of advantages that you get to enjoy when it comes to image quality. First, the photographer would have direct control over various aspects of photography, such as aspect ratio and the manner in which the image is cut off.

There are also software or hardware, you can use to remove the "filth" in the photo, scratches specializedand film grain, which will then affect the quality of the printed image.

There are a number of photographers who in those days still prefer the release of the photos were taken with the film, from the quality products in a series of digital cameras. If the 'soul' of photographs taken on film and yet the convenience of print, and edit using a Computer that you want, then restore 35 mm scanner designed for you.

How to compare 35 mm filmScanner

So how can you compare the best film scanner 35 mm, which are available on the market today? How is the purchase of any product, you can count on movie reviews social 35 mm scanner.

It takes into account an idea of ​​factors that you need to buy 35 mm film scanner. These factors include price, quality, features, bit depth, resolution, the ability to interface and the modification of the scanner.

Withtaking into account these factors, it is better to have 35 mm scanner on the market - without compromising the print quality of these precious photos to scan.

All 35mm film scannerIon FILM2SD MK2 35mm film and slide scanner Tube. Duration : 1.75 Mins.

FILM2SD Ion bring your much-loved film and slide collection to life by converting to digital files and save directly to SD card without a PC.

Tags: Ion, film2sd, film, sd, scanner, neg, slide, t2, t2direct, direct

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Canon CanoScan 8800F Color Film/Negative/Photo Scanner (2168B002)

!1: Now is the time Canon CanoScan 8800F Color Film/Negative/Photo Scanner (2168B002) Order Today!

Nice Design by :CanonOver All Rating Reviews : Great Deal : $169.95Date Created :Mar 09, 2011 08:24:10

Sleek and fast, this powerful scanner will impress you the very first time you push power. With high-luminance white LED lamps - it's ready to scan immediately, with no warm-up time needed. You'll quickly produce spectacular results, with max. color dpi resolution of 4800 x 9600. Seven easy buttons automate the scanning process, so it's simple to scan, copy and create e-mails and multi-page PDFs. Built-in FARE 3.0 retouching technology helps to enhance your final images. And to save time, you can batch-scan up to twelve 35mm frames or up to four slides - either positives or negatives.

FEATURES:

• Spectacular scans: Produce scans with spectacular resolution of up to 4800 x 9600 color dpi.
• 48-bit Input/Output: Rich, vivid color: 48-bit color depth yields over 281 trillion possible colors.
• Incredible resolution: The included software greatly enhances resolution, up to an amazing 19,200 color dpi.
• Easy scanning: Large function buttons automate the scanning process-select the use for the image, and it's ready in seconds.
• Enhance old photos: Built-in retouching technology removes much of the dust and scratches on original prints, improving image quality.
• Auto-Image Fix: The built-in Auto-Image Fix feature via Easy PhotoPrint EX helps you produce amazing results.
• Faster data: The USB 2.0 interface enables the fastest possible image transfers and scanning speeds.
• Multi-image scanning: To save time, simultaneously scan up to 12 frames of 35mm film strip or 4 frames of 35mm slides (negatives or positives).

• PEC-PAD Lint Free Wipes 4"x4" 100per/Pkg
• Photographic Emulsion Cleaner 4 oz spray
• Loupe 10x Close-up Viewing Loupe for Photographic Contact Sheets & Negatives
• Print File 2X220B 35mm Slide Pages 25 Sheets
• Printfile 35MM Negatives 7 Strips 5 Frames Sheets 100-pack - Printfile 357B100

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